Turning the clock back…

The smell of freshly mown grass, the fragrance that lingers in the musty back rows of a library, the dusty scent of a long forgotten suitcase, the taste of raw mango spiked with salt and chilli; know what they all have in common? They all trigger memories of a time we have long left behind. We long for it, almost wistfully! Nostalgia – The emotion we can all ascribe to, the one link to our past that we dare not let go and the thread that, when pulled at, unravels a thousand others.

I, for one, often fall hook, line, and sinker for any advertisement, song or even a visual that tugs at my heartstrings. Suddenly, I realise that in fact my memories have been stirred and I feel like I am being transported back to the time when I first acquainted with that particular stimulus. More often than not, the memories are of a simpler time, of easy laughters and shared dinners without the looming spectre of the internet. This ad in particular always reminds of a time when Dairy Milk was not only the greatest reward, but it was also the best way to celebrate a win! The way she just dances onto the cricket pitch with careless abandon is heartwarming!


Due to this precise psychological impact, nostalgia is a concept that has been extensively explored in advertising. Along with the power of recall, what goes on in our mind is a process called selective retention which implies that, you more accurately remember messages that are closer to your interests, values and beliefs, than those that are in contrast. This helps in narrowing the flow of information so that you remember only what is important.

Brands use nostalgia to evoke particular feelings of positive memories from the previous decades in order to generate associative thoughts as elucidated earlier. Having combed through my memory, given here are just a few examples of ads that perfectly induce the feeling of nostalgia.

Paper Boat


Anyone who knows anything about advertising knows that one of the most famous case studies in Marketing is that of Paper Boat. If there is one brand that has successfully used the concept of nostalgia, it is Paper Boat. A range of non-carbonated beverages, it is manufactured by Hector Beverages, Bangalore. The beverages bank on the ethnic roots of Indian drinks and sell comfort tastes such as Jaljeera, Aamras and Aam-Panna. If you have noticed, Paper Boat uses a simple mix of childhood, innocence and its place in the life of a grown up to get its message across. While the drinks themselves are made to taste like the real deal, i.e. traditional Indian beverages; the paper based packs are a refreshing change from the plastic bottles and tin cans. What works in the favor of Paper Boat is however, something much bigger than packaging or taste. It is the reminder of simpler times best identified with memories such as School, thelas, spiced berries and raw mango slices.

There is nothing more enticing than the feeling like you have turned back the wheel of time! Once that is achieved you are likely to feel like making a purchase solely to relive the memories.”




Picture a rainy day, some solitude, a book in hand and suddenly you get hunger pangs! What is the first thing that comes to your mind? Maggi and hot chai, right? That is what eating a pack of Maggi aims to achieve, that is the emotion it wants to connect to. Experts say that brands usually resort to the nostalgia approach in marketing when they want to reinforce a positive image or when they want to re-assert their value proposition. Maggi did this very effectively! After being banned in July 2015, Maggi lost almost 80% of the market share and was slated to be taken off shelves in India unless the parent company Nestle, agreed to mend its ways. Even when it was not allowed to be sold; Maggi continued to reassert its presence by floating videos on social media and television with the #WeMissYouToo campaign. One such ad can be seen here: https://www.youtube.com/watch?v=63FXWBVqjuo. Most of the #WeMissYouToo campaign ads featured the main Target Group of Maggi – The single Indian male.

“Why this worked is anybody’s guess! It kept the brand on the top of mind recall even if it was being sold by introducing very relatable stories and characters such as the college student, the single husband, and the busy working male.”

By putting their memories with Maggi as the central theme of each story, the ads went on to create associative thoughts of nostalgia and happier memories than the rush and mess of their current lives.

Google India
maxresdefault (3)While Maggi and Paper Boat struck a chord with the younger age group of audience; Google tried to appeal to the older age group by creating a 6 – minuter titled “ The Hero – A Bollywood Story”. It dealt with the intrinsic role of Bollywood in creating aspirations and also dousing them. You can see it for yourself here: https://www.youtube.com/watch?v=eYqEpuifLI8&t=255s.

In my opinion,  the underlying theme in the ad film was that it tried to highlight the aspect of how the older generation missed out on achieving their dreams as they did not have access to technology”

So many times, we try to explain technology to our parents and that results in some hilarious anecdotes. However, instead of resorting to humor of the situation, the ad tries to reveal the warmth of this encounter.

By highlighting the father-son dynamic and changing role of the son towards his father; it worked on two levels:

  • For the youth; it fostered a positive dynamic by showing how the son wanted to help his father cope with reality instead of rebelling without a cause.

  • For the older generations; it brought back memories of dreaminess of their youth, something that they lost along the way.



Dollar Impact Glance

Although not an ad aired in India; McDonald’s touched upon the emotion of ‘Simpler Childhood Times’ when it showcased the goodness of its Chicken McNuggets being made from whole chicken meat and nothing else! Although the concept was slightly beyond those that ordinarily employ nostalgia; McDonald’s did this by juxtaposing the father’s simple childhood with the more complicated childhood of his daughter.
For a fast food brand to bank on goodness and nutrition was in fact a big gamble. However, McDonald’s accomplished this by portraying eating at McDonald’s as a family activity rather than a hasty meal. Through the use of ‘Time after Time’ as the soundtrack, it struck a chord among the viewers by replacing the memories of a technologically driven childhood of today’s kids with memories of simpler times. The final message of the advert is that Chicken McNuggets have still retained their simple, pure, and uncomplicated taste. This prompted the viewers to associate childhood and McDonald’s as a ritual, thus combining the best of both worlds.  

Freia Chocolates


A chocolate brand from Norway, Freia Chocolates, employs the tagline, “Et lite stykke Norge” which loosely translates to ‘A little piece of Norway’. The marketing communication of this brand too, is centered around nostalgia. One such ad, stands out for its simplicity and clear message.

The ad opens with the protagonist who is living the high life in New York as a fashion stylist and the feeling of alienation to which the piece of Freia Chocolates acts as a catalyst. He impulsively hops on a plane to see his father immediately after. The ad closes with him opening a styling salon in what is presumably his hometown.



I personally feel that it successfully juxtaposed the alienation, that is a byproduct of the American lifestyle, to warmth and familiarity that is usually associated with European countries.

The ad works on many levels, but mainly it fosters the feeling of ‘belonging’ for those who stay far from their motherland like expats, Non-resident immigrants or even families who have moved away from each other.

Why Nostalgia Works:

The above examples illustrate how different aspects of nostalgia have all been used in one way or the other to get the audience to reminisce about a simpler and easier time.

“Nostalgia works best when the audience has a bank of positive memories that they associate with. Thus, it may work better when your target audience is of the age group 30 and above.”

The association of a product with positive recall is more likely to trigger a purchase or be on the top of mind recall when the audience is at the point of purchase.

The Bottom Line:

“No memory arrives alone and no memory is limited to one sensory perception alone. Hence, our memories are often complete sensory experiences that include the sense of touch, smell, sight, sound, and sometimes even taste.”

In a film that deals exclusively with the myriad and wonderful ways of storytelling, Ang Lee’s ‘Life of Pi’; the concept of nostalgia is an underlying factor in almost every frame. Be it the protagonist thinking of his childhood, explaining to the journalist about his hometown, recounting a lost love – memories and longing is evident. The final scene in the film concludes it the best. Pi, the protagonist asks the reporter “So tell me, since it makes no factual difference to you and you can’t prove the question either way, which story do you prefer? Which is the better story, the story with animals or the story without animals?” the reporter replies “The one with the tiger; that’s a better story” to which Pi Patel peacefully responds, “ Thank you, and so it goes with God”. And so it will… We may never understand the pull of memories and its repercussions, but what remains is their irreplaceable role in our lives towards creating happiness, if only momentary.



Amruta Ghate is a Communications Post Graduate with a keen interest in writing and poetry. As a Digital Content Writer at Setu Advertising, she brings to the table, creative content that succeeds in conditioning and engaging the readers, that translates into content amplification.

The art of naming it right!

They say what’s in a name. Well, the answer lies in the fact that so many brand names have become verbs! We Xerox but we don’t photocopy. We Google but we don’t Bing. How has Velcro ‘fastened’ and ‘looped’ itself so easily as a brand into the minds of consumers across ages? Well, the story is interesting. And that’s why we say, a lot’s in a name. When many brands compete in the consumer’s mind space, his mind becomes a battleground of names. Whichever he remembers the most, wins.download

When I was a kid, I used to love dogs. I remember calling all of them Fluffy. Then, when we moved into a new house, our neighbor had a huge dog with very large, brooding eyes.  He used to bark continuously, and whenever I would go near him, he would growl at me. Soon, the definition of a ‘dog’ changed from fluffy to fear. Well, it’s quite true, and science tells us that as humans, we cultivate positive or negative connotations to words, based on how we feel. And this plays a huge role in how we perceive words and things around us.  We keep evolving and so does the way in which we relate with certain words.

As our vocabulary grows, our mind is no longer a blank slate it used to be when we were younger.  Research says, an average English-speaking adult’s vocabulary is around 30,000 words, or even more! Slowly, the connotations we associate with them also become pretty solid as we grow older. That’s why it is a challenge for brands to get into a consumer’s mind-space, and moreover, to be remembered. Then how or why do certain brands become successful? Let’s explore!

“The dictionary of our mind is filled with words that have negative or positive emotions tied to them. The challenge for a brand name is to create its own mind-space. Stay there. And evoke positive emotions.”

Names strike an emotional chord

Imagine a brand to be a nice, exotic curry.  A lot goes into its making. After all the water evaporates, the thick, delicious essence that’s left behind is what leaves an unforgettable after-taste. It is this essence that makes you want to remember the brand. It evokes a certain positive feeling within you. The mere mention of it, and that is – the name.  With the name, a brand becomes a person, a living, breathing entity that evokes either positive or negative emotions in us.  There is a story behind everything we savour or detest. A good illustration would be the brand name Victoria’s Secret.  The name instantly strikes a mysterious, sophisticated note, making it much more likely to remember. Thus, making it the most spoken about brand after its first store was launched in 2012 in America. The sales went up to $6.12 billion, and today it is the largest American retailer of women’s lingerie.

“With the name, a brand becomes a person, a living, breathing entity that evokes either positive or negative emotions in us.”
Often, it’s just love-at-first-sound!

A brand name is a capsule that is filled with emotional and intellectual content. It carries the unique meaning of your product and its story with itself wherever it is used. Let’s look at the name Google. Today it is hard to imagine a life without this name. If we are stuck with anything, all we say is ‘Google it’. Not only is it a brand name that became a verb for searching online, it also became synonymous to a solution provider! In an era when search engines had already become popular (Yahoo!), Google made a mark with its odd, but easily pronounceable name. A twist on the word googol, Google made something techie sound really ‘familiar’ and ‘lively’.

“A name carries with itself the personality of its brand, what sounds nice registers better, and that is why the consumer falls in love with it at first sound, remembering it over a competitor’s product!”


The global linguistics challenge

With a unique name that is easy to spell and fun to say, comes the next challenge. And that’s being sure it doesn’t have any negative connotations in another language. If the brand is being launched on a global platform, consulting native speakers becomes important. Ensuring the brand name isn’t associated with any slang and other negative cultural perceptions, prevents embarrassing situations later! In 1971, when the Ford Pinto was launched, the translation of the word ‘Pinto’ in other languages was ignored. It turned out ‘Pinto’ was a slang term in Portuguese for male genitals. With the tagline “The little carefree car” Ford tried to cover-up for the name-blunder, but due to some technical vehicle defects, the car stayed synonymous to its unfortunate translation!


Two familiar words, one original name!

The birth of an original brand name is often achieved by putting two simple words together. And it has worked wonders for brands!  What better example, than Post-it. Today, the challenge is not just having a space in the consumer’s mind, or having an excellent recall value. It goes much beyond that. Many brand names are already trademarked and have registered domains. Making compound words is thus, a great idea to overcome this challenge. Another excellent example is PhotoShop, as it communicates the purpose of the product very effectively. Two familiar words put together to create a meaningful, harmonious effect.

“Often we see so much creativity and inspiration with quirky brand names all around us. All we need is the creative eye for it. The inspiration to create something different and original by giving simple words a twist”




Just verb it!

“When people use your brand name as a verb, it’s remarkable.”

Meg Whitman,
CEO, Hewlett Packard Enterprise

We don’t YouTube, but we do Skype. Names that suggest application, are easily used as verbs. Over a period of time, Skype has achieved this glory. It has transformed into a verb today, but the name had the ability to be used as a verb. It was so synonymous to the activity, that it became the activity itself! This is called ‘verbifying’, but it can be dangerous too, as the brand becomes popular but suffers from ‘genericide,’ meaning losing the legal power of a trademark! Well, it certainly does become a part of people’s daily lives, which is remarkable.

Putting the pieces together

Serious or quirky, distinctive or funny, brand names that work the most are imaginative and evoke positive emotions in the consumer’s mind. Today is the era of coining words; take for instance Gatorade, Doritos, Tostitos, and many more.  So do names always need to mean something? Well, not necessarily as the name will soon become synonymous to your business. It may not exist in the dictionary, but it can make an unforgettable mark in the consumer’s-dictionary.


What’s important is that the naming approach must be in tune with the graphical representation of the name. That way we achieve two things – the emotional perspective of a brand name is in perfect rhythm with its visual identity, and it looks good in writing! Recently I visited a unique place in Kothrud, Pune, called Yolkshire. Apart from the interesting name, this outlet serves all types of egg dishes. So apt! The name and visual interpretation are in perfect sync with the quirky ideology of the brand’s offering.

“Getting as imaginative as you can be with the name is key. The name may not exist in the dictionary, but it can make an unforgettable mark in the consumer’s dictionary.”


After the brand has acquired its own personality, it will truly appeal to the masses. And maybe then, we can say that the brand has won the battle for space in the consumer’s mind, because now he/she is interacting with a person and not a company, just like the King of Advertising said it!

“The public is more interested in personalities than in corporations”
– David Ogilvy


ID-01Devangini Karkhanis, an MBA in advertising, embarked on a journey to become a copywriter 6 years ago.  With a vision to put her passion for words and mind full of ideas to good use, she believes her work has taught her a lot over the years. Working in the creative field has been an enjoyable and enriching experience, and it has given her the opportunity to go beyond writing, and become a good communicator, strategist, and an artist too!

Devangini is an English Copywriter at Setu Advertising.


“On an average, five times as many people read the headline, as read the body copy. When you have written your headline, you have spent eighty cents out of your dollar.”

 -David Ogilvy

Yes, we just took the most cliched route to start a conversation about the most important aspect of any advertising communication –  the headline. But then, when the master has himself said something that has been followed religiously (we would all like to think so) by every single copywriter in the industry – across the world – why not just stick to it, at least to set the context.

Okay, so we’re going to talk about headlines (no surprises there). But because enough has already been written about how to write a ‘good one’ by people who have shaped advertising, we’ll do something different here. We’ll take a look at the journey of a headline, from then till now. Why? Well, it’s simple. While the motive of a headline or the task assigned to it has remained the same (it should sell), everything around it has changed drastically.

“The changing scenarios have had an extensive impact on headlines, and the art (more of a process) of writing them.”

No, we’re not yet talking about the evolving cultures. That’s just too vast and complex. For now, we’re sticking to a relatively smaller area of a transformed advertising ecosystem. From evolving media to the available space and from baffling (either too big or too small) budgets to declining attention spans, everything has undergone a colossal change in the past few decades. So, while every word from David Ogilvy’s statement holds true even today, the changing scenarios have had an extensive impact on headlines, and the art (more of a process) of writing them. Let us see and understand how headlines have evolved over the years.


Rolls Royce

This ad by David Ogilvy for Rolls Royce in 1957 is legendary. With the amount of body copy in it, one might confuse it with an advertorial. But this was the trend back then – ads that were copy-rich. Now ignore the body copy (It’s hard to do so, but still). Just look at the headline. It’s a really long headline, but manages to get the reader hooked to the ad. And this is just one of the ads that Rolls Royce did back then, as a part of the campaign, where most of the captions were really long. It’s interesting to understand the reasons why such long captions worked back then.

“The headline used to be entirely different from the campaign line. In fact, many headlines were used to reinforce the campaign line.”

  1. Lesser advertising – In the 50s and 60s, there were fewer brands across different sectors in the market, which meant lesser clutter and ads, for the buyer/reader to look at.
  2. Print medium as the first point of contact – While television had started entering homes, newspapers led the way in communication. The medium itself supported this form of writing because of the available space.
  3. Lesser visuals – As compared to today’s day and age, access to a ready visual library was weak, because of lack of technology, which meant more scope and space for writing.

The biggest takeaway from this is the fact that the headline is entirely different from the campaign line.

While this was the scenario in the US and the West, Indian advertising was still in its nascent stages. As a result, Indian print ads rarely witnessed this ‘phase’ of headlines.

THE 80s AND 90s SHOW

By now, television had well and truly taken over print as the primary medium of communication (The Bold and the Beautiful, Nukkad and Circus were a part of people’s conversations). At the same time, brands from certain segments continued to reach out to the audience through print ads. All this had an impact on the nature and style of headlines. What stood out was:

  1. Crisp headlines – The advent of “less is more” philosophy impacted both – the headlines and their length.
  2. Bigger images – From a copy-centric ad layout, the visuals and words started sharing equal space. The visuals became more dominating. A copy-driven ad with a classic headline became a special occasion feature.
  3. The punchline had arrived – It was observed that the campaign line inadvertently became the headline for the ad. Gone were the days of different headlines leading to one brand line. The punchline started calling the shots.
  4. Headlines became emotional – Instead of focusing on direct product benefits, a more emotional packaging emerged through the headlines.

Inspired by Neil French’s work in Singapore, like this ad for ibid.com, even Indian advertisers took a more daring approach to writing headlines. But, this was restricted to a niche, urban audience.

The dominant advertising, and hence the headlines, became more emotional and crisp. More importantly, the focus had already shifted to the television sets, where headlines were heard, not read.



“In the age of 140 characters, the headlines for print advertising have been through a lot (both literally and figuratively).”

Over the past decade, the world has been taken over by the power of internet that has connected everyone, everywhere. This has led to more and more brands reaching out to more and more people. Print continues to lose its importance – at least in an advertising sense – as brands find out newer ways to connect with the audience (It is used more as a tool to complete the promise of a 360-degree media plan). While television is dominant, the internet and its different tools now offer more profitable advertising platforms. In the age of 140 characters, the headlines for print advertising have been through a lot (both literally and figuratively).

  1. Lesser space – As many brands jostle for space across media, the available space has reduced significantly; and the length of the headline.
  2. An over-burdened audience – As social media takes over the lives of the people, they are left over-burdened by the content being circulated around. At times, this has even led to print ads being devoid of a headline.
  3. Reading, a dying habit – As visuals capture the mind space and films become easily executable and accessible, reading as a habit, is on a decline.
  4. The hashtag phenomenon – Conversations now subscribe to brevity with hashtags and emoticons taking over words and sentences.

“The journey of a headline subtly captures the evolving cultures that we’ve all been part of, over the years.”



If you look at it, this journey of a headline subtly captures the evolving cultures that we’ve all been part of, over the years. It shows how our tastes have changed, habits have evolved, and even the preferences have undergone a sea-change.

But the one thing that remains constant is that the headline is still 80 cents of a dollar. A good one does a lot of good for the brand. And a great one; well we all know what it has done to us, so many times.

Amey Pendse
Amey Pendse is an engineer by qualification and a copywriter – not a writer – by profession. He likes to keep it simple – in ideas, and in writing. He essentially thinks and writes in Hindi and English and has a keen interest in writing radio ads and TVCs. With 6 years of experience, Amey is a Senior Copywriter at Setu.

Connecting North East India With the World

In recent years, film festivals have become a commonplace. In fact, almost all the major cities in India, have their own film festival. This, in addition, to India’s official film festival – International Film Festival of India (IFFI). And yet, the north-east region of India hasn’t got a platform that justifiably showcases its talent and culture.


National Film Archive of India (NFAI), Pune, decided to conduct a North East Film Festival (NEFF) in Pune, from 28-30 January 2017. An initiative by the Information and Broadcasting Ministry, the idea was to showcase the films made in the north-east, along with the culture of the region. The obvious challenge was to make it stand out in the crowd of numerous film festivals.

We decided to take up this challenge to create awareness that would increase the footfalls at NEFF and enhance audience engagement by generating content that could be shared on social media. Keeping North East as the central theme, we formulated a social media strategy that would incorporate elements of North East in every aspect of our communication.

We arranged for on-site activities like video and photo booths with chroma screen that transported visitors to the beautiful lands of North East. Set-up for the very first time at NEFF, hundreds of visitors enthusiastically clicked pictures, shot videos and shared them on their social media profiles.

A team from Setu Digital was present at the venue to generate content. The responsibility involved interacting and coordinating with the I&B ministry, the PR team, NFAI team, the audiences, and the artists, performers and participants at NEFF. Amongst the hustle and bustle of the events, moments and stories were captured skillfully that were shared on Facebook, Twitter, Instagram, YouTube and Google+. An off-site team was dedicated to developing content which educated the netizens with interesting information and facts about the North East.



The numbers were impressive, to say the least. All the online presence was organic in nature. On Facebook, the NEFF page gained 50,823 impressions, with more than 700 engagements. On Twitter, around 74k+ impressions and 2000+ engagements created sufficient buzz for NEFF.

While the team gained valuable experience of handling online presence of on-site events, the successful promotion of the 1st edition of NEFF, gave Setu Digital another success story.

The twist on ‘Taak Mein Twist’!


Kutwal’s journey as a brand began in 2003, in Shirur near Pune. Since then it has been a reliable name engaged in the manufacturing of milk, milk by-products, and beverages. Along with this ever-evolving manufacturing plant, Kutwal Foods is equipped with a dedicated team of 100+ skilled professionals who are inept at operating the latest technology. The brand aims to consistently deliver quality in the field of milk and milk products. They are the very first of brands to have launched buttermilk in three interesting flavours.


Being the first to have come up with three different flavours of ‘Taak’ – Masala, Pudina, and Ginger – Kutwal Foods wanted to reach out to the corners of Pune with their new product range. With strong and established competitors already in the ‘Taak’ segment, connecting to masses with three refreshing flavour choices was the challenge.


Since the three differentiating flavours for Kutwal’s buttermilk were the icing on the cake, considering quality already a given with Kutwal, we came up with a positioning line stating the same – ‘Taak Mein Twist’. The idea was to connect to all kinds of age groups, old and young, and convey the fact that consumers have more choices now in the buttermilk segment too!

The strategy was to launch these three flavours of buttermilk in the scorching summer so that every consumer feels like trying one to quench his thirst. We created posters using a 3D illustration of the flavoured buttermilk bottles with elements from the ingredients coming alive. The splash of buttermilk against the cool blue background and real-looking droplets on the bottles were the perfect attention-grabbers for anyone who was tempted for a healthy, cooling drink on the go. We also created a vibrant packaging for the buttermilk bottles. Through the packaging, we distinguished every flavour using a different colour and displayed ingredients that specifically went into making it.

Flavoured Taak


Our strategic brand communication highlighted the brand’s innovation on flavours.  The positioning line ‘Taak Mein Twist’ along with the interesting and vibrant 3D design got the product noticed and tasted! The communication language will be remembered and helped differentiate the brand from its other me-too competitors.  Kutwal’s Taak earned an impressionable identity of its own and a 22% rise in sales was marked.


Flavoured Taak Poster

Cutting out the obvious from Luxury Living


Portia is an uber-luxurious residential project at Baner, Pune by Vilas Javdekar Developers. Launched in October 2014, it offers quintessential luxury through its PresidencesTM (Premium Residences) with a structure that is eye-catching, to say the least. It also offers customisable floor plans for all its PresidencesTM.

Portia Hoardings_30x10-1



Since its launch in 2014, the visibility for brand Portia was minimal. This has led to its reduced presence in the mind space of not just its target audience, but also the people of Pune. Additionally, with a plethora of residential projects claiming the ‘luxury’ tag, there was a need for brand Portia to talk to the people.


While luxury projects usually rely on the usage of a set of cliched images that symbolise luxury, it also makes them look like ‘one of the many’. For Portia, we decided to break this template by going for a copy-centric campaign which would highlight luxury, differently. As the layout got rid of the regular elements that showcased luxury residences, the copy talked about aspects of Portia that were not well-known. This included flexi-architecture, possession guarantee, and more.


The mainline campaign consisted of a series of three half-page advertisements in TOI. This was ably supported by hoardings that were put up at strategic locations around the project.

Hoarding MocksPortia


The campaign generated a lot of traction for Portia. As the visibility increased, the enquiries, walk-ins, and bookings went up. Customers admitted that Portia was already on their mind, and the campaign helped them go ahead with the decision of booking a residence at Portia. The tone of the communication was also appreciated. The campaign not only served the purpose, but went beyond.




SETU Digital Creates Buzz To Launch #Adda At Kothrud




#Adda – a popular hangout place in Pimple-Saudagar launched its second branch in Kothurd and SETU Digital made sure it received the welcome it deserved by using social media at its best.

Kothrud is a mellow place of hard-core Punekars and they are known for their authenticity. However, the same area consists of a huge amount of youngsters and college kids who travel to other parts of the city whenever they wish to celebrate life in ‘their’ way. These people spent more time traveling and less time partying. Most of them wished to have an uber-cool hangout place closer to their home.

Well, we knew something they didn’t. #Adda, a beloved hangout place of Pimple-Saudagar decided to open it’s another branch in Kothrud on the occasion of their first anniversary. We thought we would deliver this news of absolute delight in a creative & funky way. We packed this surprise in the form of a teaser based on GIF format.

The target group of this launch was youngsters who are all about the new media and thus we decided to launch #Adda completely on digital media with no support from the mainline mediums. This helped us reach the right audience who spend most of their time on social media networks.

This new page hosted quirky GIFs that highlighted the new Katta of Kothrud which is a local term for the hangout. Also, the communion of Adda’s anniversary was delivered by posts that said – ‘We are turning two on our first Birthday!’ With a boost on Facebook, these posts were targeted at the young and happening crowd of Kothrud. The posts generated average engagement of 500 actions per post.

The news caught the eye of all the youngsters and within a week Adda Kothrud was housefull with the love it received.