“On an average, five times as many people read the headline, as read the body copy. When you have written your headline, you have spent eighty cents out of your dollar.”

 -David Ogilvy

Yes, we just took the most cliched route to start a conversation about the most important aspect of any advertising communication –  the headline. But then, when the master has himself said something that has been followed religiously (we would all like to think so) by every single copywriter in the industry – across the world – why not just stick to it, at least to set the context.

Okay, so we’re going to talk about headlines (no surprises there). But because enough has already been written about how to write a ‘good one’ by people who have shaped advertising, we’ll do something different here. We’ll take a look at the journey of a headline, from then till now. Why? Well, it’s simple. While the motive of a headline or the task assigned to it has remained the same (it should sell), everything around it has changed drastically.

“The changing scenarios have had an extensive impact on headlines, and the art (more of a process) of writing them.”

No, we’re not yet talking about the evolving cultures. That’s just too vast and complex. For now, we’re sticking to a relatively smaller area of a transformed advertising ecosystem. From evolving media to the available space and from baffling (either too big or too small) budgets to declining attention spans, everything has undergone a colossal change in the past few decades. So, while every word from David Ogilvy’s statement holds true even today, the changing scenarios have had an extensive impact on headlines, and the art (more of a process) of writing them. Let us see and understand how headlines have evolved over the years.


Rolls Royce

This ad by David Ogilvy for Rolls Royce in 1957 is legendary. With the amount of body copy in it, one might confuse it with an advertorial. But this was the trend back then – ads that were copy-rich. Now ignore the body copy (It’s hard to do so, but still). Just look at the headline. It’s a really long headline, but manages to get the reader hooked to the ad. And this is just one of the ads that Rolls Royce did back then, as a part of the campaign, where most of the captions were really long. It’s interesting to understand the reasons why such long captions worked back then.

“The headline used to be entirely different from the campaign line. In fact, many headlines were used to reinforce the campaign line.”

  1. Lesser advertising – In the 50s and 60s, there were fewer brands across different sectors in the market, which meant lesser clutter and ads, for the buyer/reader to look at.
  2. Print medium as the first point of contact – While television had started entering homes, newspapers led the way in communication. The medium itself supported this form of writing because of the available space.
  3. Lesser visuals – As compared to today’s day and age, access to a ready visual library was weak, because of lack of technology, which meant more scope and space for writing.

The biggest takeaway from this is the fact that the headline is entirely different from the campaign line.

While this was the scenario in the US and the West, Indian advertising was still in its nascent stages. As a result, Indian print ads rarely witnessed this ‘phase’ of headlines.

THE 80s AND 90s SHOW

By now, television had well and truly taken over print as the primary medium of communication (The Bold and the Beautiful, Nukkad and Circus were a part of people’s conversations). At the same time, brands from certain segments continued to reach out to the audience through print ads. All this had an impact on the nature and style of headlines. What stood out was:

  1. Crisp headlines – The advent of “less is more” philosophy impacted both – the headlines and their length.
  2. Bigger images – From a copy-centric ad layout, the visuals and words started sharing equal space. The visuals became more dominating. A copy-driven ad with a classic headline became a special occasion feature.
  3. The punchline had arrived – It was observed that the campaign line inadvertently became the headline for the ad. Gone were the days of different headlines leading to one brand line. The punchline started calling the shots.
  4. Headlines became emotional – Instead of focusing on direct product benefits, a more emotional packaging emerged through the headlines.

Inspired by Neil French’s work in Singapore, like this ad for, even Indian advertisers took a more daring approach to writing headlines. But, this was restricted to a niche, urban audience.

The dominant advertising, and hence the headlines, became more emotional and crisp. More importantly, the focus had already shifted to the television sets, where headlines were heard, not read.



“In the age of 140 characters, the headlines for print advertising have been through a lot (both literally and figuratively).”

Over the past decade, the world has been taken over by the power of internet that has connected everyone, everywhere. This has led to more and more brands reaching out to more and more people. Print continues to lose its importance – at least in an advertising sense – as brands find out newer ways to connect with the audience (It is used more as a tool to complete the promise of a 360-degree media plan). While television is dominant, the internet and its different tools now offer more profitable advertising platforms. In the age of 140 characters, the headlines for print advertising have been through a lot (both literally and figuratively).

  1. Lesser space – As many brands jostle for space across media, the available space has reduced significantly; and the length of the headline.
  2. An over-burdened audience – As social media takes over the lives of the people, they are left over-burdened by the content being circulated around. At times, this has even led to print ads being devoid of a headline.
  3. Reading, a dying habit – As visuals capture the mind space and films become easily executable and accessible, reading as a habit, is on a decline.
  4. The hashtag phenomenon – Conversations now subscribe to brevity with hashtags and emoticons taking over words and sentences.

“The journey of a headline subtly captures the evolving cultures that we’ve all been part of, over the years.”



If you look at it, this journey of a headline subtly captures the evolving cultures that we’ve all been part of, over the years. It shows how our tastes have changed, habits have evolved, and even the preferences have undergone a sea-change.

But the one thing that remains constant is that the headline is still 80 cents of a dollar. A good one does a lot of good for the brand. And a great one; well we all know what it has done to us, so many times.

Amey Pendse
Amey Pendse is an engineer by qualification and a copywriter – not a writer – by profession. He likes to keep it simple – in ideas, and in writing. He essentially thinks and writes in Hindi and English and has a keen interest in writing radio ads and TVCs. With 6 years of experience, Amey is a Senior Copywriter at Setu.

Double the impact with ‘Double Seat’: AnandGram Bhandgaon

After the overwhelming response to Vastushodh’s GruhaChawal campaign in Pune, we extended the campaign to the rest of Maharashtra. To do this, we had a heavy-duty plan, with a strong emphasis on TVCs ready and rolled out on several popular Marathi GECs.

Hoarding design

But there are times when good things line up in the most unexpected ways; ways that even the most detailed planning cannot account for. This is precisely what happened for the launch of Vastushodh’s AnandGram at Bhandgaon.

It so happened that the launch weekend of AG also happened to be the release weekend for the Marathi movie ‘Double Seat’. The main theme of the movie revolved around a couple and their journey towards owning their ‘dream home’. This meant that the movie was essentially centered on the brand ethos of Vastushodh!

We got working and quickly forged a brand association with Double Seat.

We not only included Double Seat in our TV, print and outdoor media plan, we also ran a quick contest on our Social Media platforms giving out movie tickets.

twitter Facebook

We’re happy to say that this worked to the advantage of both brands – in terms of credibility, as well as presence.

Taking UrbanGram™ to Baramati

After making Vastushodh a well-known name in and around the city of Pune, it was a matter of great joy to take this trendsetter in affordable living to the city of Baramati. The launch of UrbanGram™ at Baramati meant the city was now privy to a housing option that was built on a large scale and featured all the amenities required to make affordable living, comfortable. This was a first for Baramati, a city where individually constructed structures was the norm.

Keeping this in mind, we decided to center our creatives around the vast wealth of amenities and the idea of gated community living to hook the attention of Baramati residents. We did this by offering them a glimpse of the layout, which gave them an idea about the massive scale of living that UrbanGram™ provided.


Research, strategy and communication came together in this campaign, to make a place for UrbanGram™ in the hearts and minds of Baramatikars!

An office full of Santas!

Gifts are always fun. And this year, at Setu, we had an office full of them for Christmas, thanks to our ‘Secret Santas’!

There was excitement everywhere, with people walking in to find prettily wrapped packages on their desks. Squeals of delight and the question ‘Are you my Secret Santa?’ were heard all around.

And the fun wasn’t just in receiving gifts, but also in trying to stealthily giving them out without the ‘giftee’ realizing who their Santa was!

Three cheers to all the ‘Santa’s at Setu for making Christmas so joyful and merry. What a great start to New Year Week!

Riding the digital wave!

On Social Media, constantly changing trends means you have to be quick on your feet. And we proved this yet again with an impromptu ‘Flash Contest’ we held for W­ādeshwar.


It all started off very unpredictably. While monitoring the current trends in the city on Twitter, we noticed that everyone was conversing about the release of the movie ‘PK’. Hashtags like #PKjaana #PKaana and #PK were trending, indicating that people were keen on watching the film as soon as they could lay their hands on some tickets.


And so we decided to jump on the ‘PK bandwagon’ with a contest of our own to surprise W­­­ādeshwar’s fans & followers. Over the next 15 minutes, we booked a few tickets to the evening show and formulated a quiz style contest we could host on twitter. Fans and followers simply had to answer the questions correctly to win movie tickets.



IMG-20141220-WA0003 IMG-20141219-WA0009IMG-20141219-WA0010

Within an hour we executed the entire contest, right from conducting the contest to contacting the winners with details of their tickets. With 43 tweets and retweets in the time-frame and five winners being picked, the engagement levels were raised with this quick initiative. More importantly, though, we offered a great experience to the social media audience, which culminated with them having an unexpectedly fun evening at the movies!


One God. One BIG Celebration.

Ganesh Utsav has a special place in the heart of Punekars. So this year, to make this occasion even more special we decided to conceptualize a ‘Maha Celebration’ for our client, Sakal. This celebration would be an umbrella for a plethora of activities that would not only celebrate this festival like never before, but also bring out the essence of a ‘communal celebration’ that engages people and brings everyone together.

After a lot of deliberation, we decided to call the event ‘Bappa Morya’, a refrain that encapsulated the spirit of Ganesh Utsav. Very apt, since this is exactly what this initiative had set out to do.

Sakal Mockup

Under ‘Bappa Morya’, we conceptualized a bouquet of activities each catering to various sensibilities.




We, at Setu, are happy to have played such a pivotal role right from naming this event to seamlessly executing every aspect of it. Content, Communication design, Strategy – all came together flawlessly, to realize this massive celebration. It was almost as if Bappa was watching, and giving us his blessing every step of the way!

I have designs on you.

Furniture. This phenomenon for Setu in the past was quite an interesting one. Previously, the creative team at Setu had a ball-of-a-time to work on one such Furniture brand. As we never fall short of excitement and adventurous brainstorming sessions, once again came a ‘brand’ that set a challenge ahead of us. Indoor Designer Furniture by Achalare.

We needed to define the positioning of the brand, an identity had to be created that could withstand completion with élan and attitude. Thus, after a few sessions (on the brand and it’s requirements) the Setu Creative Team, came to a conclusion that proved effective after all.

The target segment was the Super-Premium / elite class of Furniture buyers. Ones who opt for glass, wood and metal as decor choices. They go for furniture that compliments their lifestyle the best and speaks volume about their personalities. And we offered them Lifestyle (not just furniture).



Talking about the identity creation…

The aim behind crafting the logo for Indoor was to create a remarkably striking logo that stands out amongst its competition. The design technique used was to make it easily differentiable from the crowd. With regards to the colour scheme, the sole motive was to use the colours apart from the commonly used shades. And so, we settled on the bright ‘orange’ and graceful ‘white’ (The kind that will flash on an instant recall).

Communication was a bit tricky to decide on, as we did not want to sound like every other furniture brand. The target audience is the crème de la crème of the society & we decided to position INDOOR as a Furniture Brand and not ‘a showroom’ like the rest. So, we strategically portrayed ‘Lifestyle’ in our communication and stayed away from ‘only furniture’ visuals.

As for the name, it speaks volumes. The word designer explains the ‘customization’ idea of Indoor. You fix on your designs and Indoor masters it for you.

Of oomph and seduction

Seduction, it is said, is a woman’s domain. But not always. A male model in dapper outfits woos a stylish lass, in a new ad campaign. Appealing colour scheme and fine photography speak for themselves in this print ad for Men’s Avenue, a leading men’s apparel store in Pune. Men’s Avenue recently launched its two- month annual discount period, Half is Happening, which is named after the half price discount offered during the period.

The Men’s Avenue brand is prominently flashed throughout the 60 days. ‘Seductive Style’, is the tag line for the campaign. The ad, released across print media, OOH, in house publicity, wall panels and posters, shows a male model donning Men’s Avenue clothing with great oomph. The stylishly perfect yet faceless male model showcases exclusive formal, casual and party wear sitting across a trendy young woman in three different versions of the ad. The woman is clearly under the spell of the unknown yet attractive man. Thus, ‘Seductive Style’!
Hues of mauve and red lend visual splendour to the campaign. Refined and glossy clothing on the chiseled bodies of the models display class. The freshly designed Men’s Avenue logo stands apart too. A strong brand preposition here that sets apart Men’s Avenue as a destination for the style conscious.

Located in the bustling commercial centre of Pune, Laxmi Road, the store attracts oodles of attention via this unique ad campaign, designed by Setu Advertising. Says Rugwed Deshpande, Creative Director, Setu advertising, “The concept of ‘seductive clothing’ for men has raised the fashion bar higher in Pune”. In a crowded and competitive market, strong branding does go a long way in establishing a people connect and Setu has surely proved it.